![]() The sound that defines the song is the electric guitar, which leads into the vocal. However, it soon transforms as the cymbals crash and begin to build many layers of sound that do not surrender until the track’s ending. This is especially so because of the down tempo bass introduction. On first impressions it appears that with “Eight Miles High” the group created a very traditional sound for the backing track. There were several changes to the line up over the years but the original combo is though by many to be the definitive one. The line-up in place when they had their first hit with Bob Dylan’s “Mr Tambourine Man,” was Roger McGuinn on vocals and lead guitar, Gene Clark on vocals and rhythm guitar and David Crosby on vocals and rhythm guitar. The Byrds began life as a folk and country group. Such a controversy was misplaced, as the song purportedly was written about band member Gene Clark’s fear of flying and the band’s first trip to the United Kingdom. Branded a “drug song” by American DJs and ultimately banned from many radio playlists. However, its reception was less than auspicious. Today the song finds itself into compilations of the greatest hits of the 1960s. The original version was recorded in 1966. One of the most influential songs of the psychedelic rock era is the “Eight Miles High” by The Byrds. If you have an idea for a spotlight record or wish to submit a piece, please send one our way. This month, Alex Kocan considers a single song. This is a unique glimpse into the very early days of Lighthouse, a band that is still going strong nearly four decades later.This is the latest offering in our occasional, ongoing series that focuses on our readers’ individual engagement with music. It's a wonder the band never attained greater recognition as they easily held their own against the best horn based bands of the era. They also end the set closing sequence of songs with a tightly arranged medley of Beatles' songs that includes bits of "Hey Jude," "Al You Need Is Love" and John Lennon's "Give Peace A Chance," which had recently been released at the time. This is particularly evident in their arrangement of The Byrds "Eight Miles High," which goes in unexpected directions. ![]() Lighthouse proves just how tight a large ensemble can be and the various solos display a wide range of influences ranging from classical to pop, creating a fusion of elements uniquely their own.Īs this set also demonstrates, they were ambitious in their choice of cover material, tackling material that other bands wouldn't dare to approach. The music remains captivating, even on the extended pieces, thanks to the tight arrangements and outstanding musicianship of the band members. They avoid overly lengthy soloing and primarily concentrate on playing as a unit. Their second album is also represented with "Eight Loaves Of Bread," but it may be the unidentified instrumentals that show the band at their most adventurous. Several songs from their self-titled debut LP are featured, including "Mountain Man," "Whatever Forever" and, within the set closing sequence of songs, "Life Can Be So Simple." The original material performed at this 1969 concert covers a diverse range of styles. Much of their original material featured elaborately orchestrated arrangements, which helped them achieve a heavy-hitting modern day big band sound. This 1969 set, recorded at Fillmore West on a bill with Chuck Berry as the headliner, shows that the band had a distinctive sound early on, fueled by Prokop's energetic drumming, which drives the band with style, punch and musicality. They were also popular on the festival circuit, with memorable performances at the Isle of Wight, Monterey and Newport Festivals. Also a prolific band, releasing three albums in 1969 alone, Lighthouse extensively toured North America, often as an opening act for the biggest bands of the era. ![]() Lighthouse created a unique blend of jazz, rock and classical music and would soon become one of the most popular bands in Canada. Add to the mix strong vocalist Pinky Dauvin and Ralph Cole, a guitar player who is both tasteful and full of energy, and you have the makings of a great band. Lighthouse was formed in 1968 by Torontonian jazz composer Paul Hoffert and popular session drummer Skip Prokop. Pinky Dauvin - lead vocals Ralph Cole - guitar, vocals Paul Hoffert - keyboards, vibes Grant Fullerton - bass, vocals Skip Prokop - drums, vocals Paul Adamson - trumpet Bruce Cassidy - trumpet Howard Shore - alto sax, flute Russ Little - trombone
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