![]() ![]() The strummy acoustic rock of "So Much to See" unites acts like Anamanaguchi, Beach Slang, and Tancred together for the first time, while the moody '80s goth pose of "Perfect Vision" has old buddies Owen and Matt Pond PA craft a gloriously surreal fantasy that feels familiar and brand new at the same time. Every song is its own unique entity but it all feels like it comes from the same joyous, artistic place. What sounds like a kitschy way to pass the time, in all actuality, is one of the best indie-pop records to be released this year. Signed to alt-rock mainstay Polyvinyl Records and knowing full well their label mates weren't doing anything, they arranged a way for all of these likeminded-but-sonically-distinct acts to collaborate, splitting into songwriting teams and stitching songs, synths, bass, and vocals together to create "Exquisite Corpse". Some, looking for something to do, made full albums in quarantine, but Rainer Maria's Kaia Fischer had a far more interesting idea. When it became abundantly clear that concerts were going to be canceled at least temporarily in the Spring of 2020 (oh, we were so innocent then), many touring musicians were suddenly at a loss for income and were just sitting on their hands. ![]() Ranging from the lithe pop of "I Got You" and the plainspoken sadness of "Revolving Broken Heart" to the gorgeously rendered "My Mind's Riot", Lynne happened to drop one of the finest albums of the year without anyone noticing. With soft keyboards, angelic guitar plucks, and Lynne even trying out the sax, "Shelby Lynne" is a minimalist record that is still bursting with life and color, even as it touches on the ups and downs of romantic relationships, which itself is a topic that Lynne hasn't felt comfortable addressing in her songs. pop traditions for some time, and the soft-rock affectations of this new record show Lynne at her most inspired, making for what is easily her best full-length since 2011's bloodletting masterpiece "Revelation Road". While still considered a "country singer" by some, Lynne's long been trading in jazz and L.A. While her still-unreleased movie "When We Kill the Creators" has yet to materialize, all we know is that she plays the lead role of "Tommy" and that the films' writer and director Cynthia Mort is listed as a co-writer on several songs on "Shelby Lynne", the 16th (!) studio album from the acclaimed singer-songwriter. Shelby Lynne is no stranger to movies: she played Johnny Cash's mother in a flashback sequence in 2005's Oscar-winning "Walk the Line", after all.
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